The Devil To Pay: Or, The Wives Metamorphos'D. An Opera. As It Is Performed At The Theatre Royal In Drury-Lane, By His Majesty's Servants.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T223091 An abridgment into one act by Theophilus Cibber from Charles Coffey's three act opera, itself adapted, with help from John Mottley, from Thomas Jevon's 'The devil of a wife'. Glasgow : printed in the year, 1761. 31,[1]p. ; 12