The Dead Alive : Or the Double Funeral. a Comic Opera. in Two Acts. with Additions and Alterations. as Performed by the Old American Company, in New-York: With Universal Applause. by John O'Keefe, Esq

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Library of Congress W031674 Libretto only. The music was composed by Samuel Arnold. Cf. Grove's dictionary of music and musicians, 3rd ed. Booksellers' advertisements, p. [47-48]. New-York : Printed by Hodge, Allen, and Campbell; and sold at their respective book-stores, M.DCC.LXXXIX. [1789]. [2],iv,[1],8-46,[2]p. ; 12