Novaya Rossiyskaya Opera V Kontekste Postmodernizma

Na rubezhe XX i XXI vekov zhanr opery obnaruzhivaet nesomnennye priznaki obnovleniya, pred"yavlyaet novye temy, syuzhety, formiruet novyy tip geroya, menyaet yazykovye orientiry. Dannaya rabota issleduet novatsii v rossiyskoy opere i opernom teatre, obuslovlennye glubinnoy transformatsiey sotsiuma i kul'tury v period postmoderna. Ob"ektom analiticheskogo issledovaniya v rabote stal rossiyskiy muzykal'nyy teatr v rakurse aktual'nykh problem i novykh tendentsiy ego razvitiya, a neposredstvennym materialom - tri opery: Lolita R. Shchedrina, Zhizn' s idiotom A. Shnitke i Deti Rozentalya L. Desyatnikova, postavlennye v rossiyskikh opernykh teatrakh v 2000-e gody. Eti sochineniya rassmatrivayutsya kompleksno, kak proizvedeniya literatury, muzyki i teatra. V rabote vyyavlyayutsya i kharakterizuyutsya ustoychivye cherty sformirovavsheysya novoy modeli rossiyskoy postmodernistskoy opery s uchetom istoricheskogo opyta zhanra i sovremennoy situatsii. Rabota podgotovlena na kafedre istorii muzyki Novosibirskoy gosudarstvennoy konservatorii im. Glinki pod rukovodstvom professora kafedry G.A. Eremenko. Prednaznachena dlya spetsialistov po muzykal'nomu teatru, prepodavateley i studentov muzykal'nykh i teatral'nykh uchebnykh zavedeniy.