I Am a Woman

Swedish artist Lotta Antonsson s recent work recalls her fascination with the late 1960s and 70s, in a style where documentary and fiction blur in a merging of social and sexual revolutions, according to the essay by Patrik Andersson. From a process that utilizes techniques of collage and montage emerges a very personal way of looking at the ephemeral nature of things, whether printed matter (magazines, books) or natural objects (shells, minerals, driftwood). Antonsson s analogue cuts and repetitions seize upon the allegorical potential of image fragments, freeing fashion and erotic photography in an exploration into the gendered side of this clichéd history.